Category: Music

Owen Ragland Quartet – 8/17/18

Performance Date: 8/17/18

Artist: Owen Ragland Quartet

Song(s): “Afro Blue”, “Someday My Prince Will Come”“Let You Go” 

Full lineup:

  • Khamali Cuffie-Moore – Trumpet
  • Tilton Yokley – Bass
  • Owen Ragland – Piano & Keyboards
  • Keith Bowman – Drums

A night with Owen Ragland and crew is guaranteed to be chock full of chilled-out grooves that have more of a modern tilt, with neo-soul, hip-hop, and even electronic influences. Eighteen-year-old Ragland brings this multi-stylistic approach, bolstered by years of piano training, to every Dark Room performance, and it’s a wonder to be able to experience the growth of this young musical mind.

One of the standouts from this particular evening was the now-classic, “Afro-Blue” by Robert Glasper (ft. Erykah Badu). During trumpeter Khamali Cuffie-Moore’s solo, the beat morphs into an impeccable, glitchy modern groove held down by Tilton Yokley (bass) and Keith Bowman (drums).

As we saw in an earlier post, musicians who play with each other consistently start to anticipate their bandmates’ every move. You can see this band developing these complex, non-verbal interactions, which you might call interplay. Wonderful, spontaneous moments able to occur more freely when a band becomes more familiar with each other’s playing style.

A good example of this can be heard here. The open-ended jam begins out of abstraction, like something Philip Glass might come up with. Then, sensing a moment to bring up the energy of the band, Bowman takes his solo. He brings the energy up, takes it down, and then brings it all the way back up again, before silencing himself resolutely to let Ragland’s beautiful piano shine and take the song out…

 

A couple other highlights:

  • Not only does the band do great “Nu jazz”, they’re also adept at the classic jazz sound, exemplified with the group’s rendition of “Someday My Prince Will Come”. Note sprinkles of the blues throughout Cuffie-Moore’s smooth and thoughtful solo.
  • “Let You Go” by Moonchild: Another perfect example of the undeniable groove this band is capable of. The vibe of the group can be credited heavily to both Yokley, whose hip-hop influenced bass sound provides rhythmic variety and harmonic counterpoint, and Bowman, whose heartfelt beats are the foundation for it all.

 

 

 

Kasimu-tet – 8/8/18

Performance Date: 8/8/18

Artist: Kasimu-tet 

Song(s): “Maiden Voyage”, “The Sidewinder”, “Caravan”

Full lineup:

  • Kasimu Taylor – Trumpet
  • Ben Wheeler – Bass
  • Jesse Gannon – Piano
  • Demarius Hicks – Drums

The Kasimu-tet has been a mainstay at The Dark Room since its inception in 2014. As part of the weekly Wednesday Night Jazz Crawl in Grand Center, bandleader Kasimu Taylor is able to draw in a wide range of listeners during his exploratory sets.

The Kasimu-tet features a stellar lineup of sidemen, with Jesse Gannon on piano, Ben Wheeler on bass, and Demarius Hicks on drums. However, part of the broad appeal of these special Wednesday night sets is that Taylor opens the stage as an open jam for the second set. Anyone possessing the skills, or simply the courage, to join the band is welcome. It’s an atmosphere that can create many wonderful spontaneous moments.

 

Here’s a few moments from one such inspiring set of jams:

~The Kasimu-tet starts their set with an abstract yet dynamic rendition of “Maiden Voyage” by Herbie Hancock. Gannon’s solo takes us through a wide range of harmonic territory during his solo, before passing over to Taylor, whose solo climaxes with phrasing that pierces through Hicks’s wild, flailing drums.

 

~In the second set, the composite jam group tackles Lee Morgans’s 1964 hit composition, “The Sidewinder”. Equal parts funky and jazzy, this version features great solos from Kwanae Johnson, followed by Kasimu Taylor, as well as guitarist Josiah Joyce.

 

~The last song of the night (but certainly not least), the Duke Ellington-penned “Caravan”, also had some great moments, featuring trumpeter Danny Campbell and budding vocalist/pianist Alexis Adams, who added “squeezebox” (a.k.a. accordion).

Watch the full video here: https://youtu.be/URPsdH7kbmI

Chrissy Renick – 12/15/18

Performance Date: 12/15/18

Artist: Chrissy Renick

Song(s): “Nardis”, “Valerie”

Full lineup:

  • Andrew Stephen – Keyboards
  • Jake Stergos – Bass
  • Tim Moore – Drums
  • Brady Lewis – Trumpet
  • Chrissy Renick – Vocals

Chrissy Renick has recently proven her formidable talents as a featured vocalist during Mo Egeston’s ‘Late Night Grooves’ sets on Saturday nights. One night last December, she took full rein with her own band.

The crowd was captivated by Renick since the first note she sang during sound check, and she commanded their attention until the end of the night.

The second set in particular held a couple of highlights, including a spacy version of Miles Davis composition “Nardis” and an energetic “Valerie”, a Mark Ronson song famously sung by Amy Winehouse.  Both songs feature fantastic solos from Stephen on keys, Lewis on trumpet, and Ms. Renick herself scatting, pitch-perfect.

Watch the full performance here: https://www.youtube.com/watch?v=d2ha3LQhJr8

 

Ptah Williams Trio – 9/7/18

Performance Date: 9/7/18

Artist: Ptah Williams Trio

Song(s): “Mandela City”, “Tones for Joan’s Bones”

Full lineup:

  • Ptah Williams – Piano
  • Darrell Mixon – Bass
  • Gary Sykes – Drums


Jazz is all about interplay and even intuition. Players have to anticipate their bandmates’ every move. And of course, the longer the band has been playing together, the more the band is able to communicate on this almost telepathic level. Such is the case with Ptah Williams, Darrell Mixon, and Gary Sykes, who have been playing together for over 30 years.

I wanted to share this video, which captures the return of drummer Gary Sykes, who was absent from the Ptah Williams Trio for months last year due to heart complications.

It was a breath of fresh air to hear Sykes on the drums again with his longtime musical comrades. There seems to be an effortless synergy that happens when the three of them get together. Check out their rendition of Chick Corea’s “Tones for Joan’s Bones” or the Williams original “Mandela City” to see what I mean.

Their performance is a testament to the power of the unit—not Williams, Mixon, and Sykes as individuals, but the group as a whole—which truly becomes greater than the sum of its parts.

Watch the full performance here: https://www.youtube.com/watch?v=4vL5-4MUczo

 

Mo E featuring Snoopy, Jingo, and Dhoruba – 9/1/18

Performance Date: 9/1/18

Artist: Mo E featuring Snoopy, Jingo, and Dhoruba

Song: “Butterfly”/”Everybody Loves the Sunshine”

Full lineup:

  • Eric “Snoopy” Tyler – Bass
  • Duane “Jingo” Williams – Percussion
  • Dhoruba Shakur – Drums
  • Mo Egeston – Piano/Keyboards

Even though I came into my job as a reasonably knowledgeable fan of Herbie Hancock’s work, for some reason I had always skipped over his 1974 album “Thrust”. So, I’d never really heard the classic song “Butterfly” before the summer of 2016, when I started working with the Kranzberg Arts Foundation. It turns out to be one of the more popular songs for artists to reinterpret on the Dark Room stage.

The version I present here is the most electrifying version I’ve heard while performing sound engineering duties here (so far). It features Mo Egeston on keys, Dhoruba Shakur on drums, Eric “Snoopy” Tyler on bass, and Duane “Jingo” Williams on percussion.

Egeston flies just like a butterfly on electric piano before switching back to synth, at which point Shakur breaks it down, and the song takes on an early ‘90’s techno vibe. They play the “Butterfly” rhythmic motif once more in a climax, before transitioning seamlessly into Roy Ayers “Everybody Loves the Sunshine” for more abundant jams!

Watch the full performance here: https://youtu.be/DKQrfezZ9DI