NOW ON SALE: November Open Air Lineup

Celebrate live arts and culture safely at Open Air, a concert series presented by Kranzberg Arts Foundation featuring St. Louis’ finest musicians. Hundreds have enjoyed the comforts of our safe live music experience since August — physically-distanced, of course. Indulge and imbibe from our rotating menu of fall flavors while the musicians light up the stage under the heated and well-ventilated tent outside The Grandel. Our November lineup features sounds of jazz, blues, rock, and soul on Friday and Saturday evenings, as well as Sundays for brunch.

Tickets are $10 and available through MetroTix Tuesday, Oct. 20, at 10 AM. In addition to the ticket, a food/beverage purchase is required. All food must be ordered in advance. After purchasing your ticket, you’ll be sent an online order form where you will be able to pre-order your food and drinks. Additional beverages will be available for purchase day of the event. 

To ensure guest and staff safety, reservations are required for limited seating. Friday and Saturday reservations are for 6 PM or 8:30 PM. Sunday brunch is at 11 AM or 1 PM. To maintain appropriate physical distance, parties are limited to 6 guests per table. All guests are required to follow Kranzberg Arts Foundation’s COVID-19 mitigation policies including wearing face masks at all times, even while seated at their reserved tables unless eating or drinking. See full mitigation policies here:

If you have any questions, please email [email protected]

Open Air is presented in partnership with Jazz St. Louis, WSIE 88.7 FM The Sound, The Dark Room

Artist Lineup:

Blue Sky Brunch

Rise and shine for Blue Sky Brunch. Sip mimosas and delight in live performances from St. Louis’ best Americana and bluegrass musicians. Join us Sundays in October outside The Grandel in Grand Center Arts District. Presented by Kranzberg Arts Foundation and Open Highway Music Festival.

10/4: One Way Traffic
10/11: Gerard Erker & Neil Sasich of The Mighty Pines
10/18: John Henry
10/25: Beth Bombara

Tickets are available starting Tuesday, Sept. 15, at 10 AM through MetroTix for $10. In addition to the ticket, there’s a $15 food & beverage minimum per guest. After purchasing your ticket, you’ll be sent an online order form where you can pre-order your food and drinks. All food must be ordered in advance. Additional beverages will be available for purchase day of the event.

To ensure guest and staff safety, limited, physically-distant seating is available by reservation only for 11 am or 1 pm. To maintain appropriate physical distance, parties are limited to 6 guests per table. All guests are required to follow COVID-19 mitigation policies including wearing face masks at all times except when eating.

If you have any questions, please email [email protected].

To reserve your seats, click here.

Brady Lewis Quartet performs at Open Air, Aug. 8, 2020 outside the Grandel in Grand Center

Open Air

Friday and Saturday nights through October

Enjoy the freshest sounds in St. Louis at Open Air, a concert series presented by Kranzberg Arts Foundation and Jazz St. Louis. Featuring St. Louis’s finest, this tented, dinner experience takes place outside The Grandel in Grand Center Arts District, on Friday and Saturday nights through October.

Tickets are available through MetroTix. In addition to the $10 ticket, there’s a $30 food & beverage minimum per guest. After purchasing your ticket, you’ll be sent an online order form where you will be able to pre-order your food and drinks. All food must be ordered in advance. Additional beverages will be available for purchase day of the event. Click here to view available tickets.

To ensure guest and staff safety, limited, physically-distant seating is available by reservation only for 5:30 pm or 8 pm. To maintain appropriate physical distance, parties are limited to 6 guests per table. All guests are required to follow COVID-19 mitigation policies including wearing face masks at all times except when seated at their reserved tables.

If you have any questions, please email [email protected].

Get out and enjoy Open Air.

Artist Lineup (More TBA)

october, 2020

No Events


COVID-19 Mitigation Policies

The coronavirus pandemic and subsequent mitigation efforts have changed our world forever and will greatly alter the experience of public assembly for the foreseeable future. As the operator of essential infrastructure for the arts, it is Kranzberg Arts Foundation’s responsibility to define best practices and implement a set of policies and procedures so that art can continue to flourish in our venues. These steps will ensure to the best of our ability the health and safety of all our guests who utilize our infrastructure for artistic expression and to gather to enjoy and experience art of all forms.

Our venues are prepared to re-open with phased capacity, and we will be frequently re-evaluating our procedures based on effectiveness and the most up-to-date public health and safety information.

Enhanced Sanitation / Sanitizer Stations

All Foundation venues and workspaces will undergo professional deep cleanings and receive a comprehensive viral disinfectant fogging prior to re-opening. Our venues will continue to undergo rigorous daily cleanings, with increased disinfecting procedures on all high touch surfaces throughout our many theatres, galleries, events spaces, and workspaces. All venues have sanitizer stations installed at convenient locations including points of entry, common areas, offices, elevator, and restroom entrances.

Covid-19 Dress Code / Uniform Policies

All guests to Foundation arts venues and workspaces are required to wear protective face coverings. All Foundation employees, vendors, contractors, and volunteers whose job scope requires interacting and/or transactions with the public are required to wear protective face coverings and gloves at all times while on duty.


Temperature Checks / Health Screenings

The Foundation requires all employees, vendors, contractors, and volunteers to receive health screenings and or temperature checks prior to the start of their workday or entering Foundation venues and workspaces.

Contact Tracing Protocols

To ensure proper contact tracing protocols are in place, the Foundation requires all staff, vendors, and contractors to sign in upon entering Foundation venues and workspaces. All guests to the Foundation will be required to provide full contact information. Additionally, all gallery visits will be by appointment only, all ticket purchases must be made in advance, and restaurants will be reservations only. All special events will require full contact information for all guests in attendance.

Opportunity for Contact-less Public Experience

Foundation venues will offer the public the ability to enjoy art with a contact-less experience. Our security and door staff will open the main entrance doors for all members of the public. There will be contactless ticket scanning for entry. Ushers will open and close theatre doors at appropriate times for entry/exit to the show, and concession/food & beverage service will be provided to patrons with a contact-less option.

Social Distancing Policies

The Foundation will implement crowd control measures to allow for responsible social distancing. These include early entry into theatres to keep lobbies clear, controlled intermission and end of show dismissals, limited access to galleries and event spaces, and new floor plans and seating plots across all foundation venues and workspaces. When in lines, patrons will be encouraged to leave space and remain socially distant and our Foundation workspaces will be retooled to allow for socially distant workstations.

Reduced Venue and Workspace Capacities

All Foundation venues and workspaces will operate at a reduced capacity, determined by public health and government officials, with seating plots and floor plans designed to maintain social distance requirements.

Increased Preparedness Training for Foundation Staff, Resident Organizations, and Volunteers

All Foundation staff, resident organizations, and volunteers will receive enhanced Covid-19 mitigation training focusing on best practices in social distancing, sanitation, and hygiene, transacting with the public, and communications.

How we’re responding to COVID-19

To our guests,

Like you, we’re monitoring COVID-19 as it continues to develop. To help keep you updated on our response we’ve created a page on the Kranzberg Arts Foundation website that will be updated with all of the latest information on our policies, closures, and cancellations. Our number one priority is the health and well-being of our guests, artists, and staff.

At this time, we’ve increased our sanitation measures in our kitchen and dining area and have moved The Dark Room to be reservations only with a max of 25 seated guests and an additional 25 standing guests.

For the latest information, please visit

BLStet – 1/3/19

Performance Date: 1/3/19

Artist: BLStet

Song(s): “Detitled”, “Green Finch”“Milestones”

Full lineup:

  • Brady Lewis – Trumpet
  • Kendrick Smith – Alto Saxophone
  • Jawwad Spann – Tenor Saxophone
  • Jesse Gannon – Piano
  • Bernard Terry – Bass
  • Dhoruba Shakur – Drums

Trumpeter Brady Lewis made his debut at the Dark Room with a band that featured some of the heavier hitters on the local jazz scene. I’ve personally witnessed each and every one of these players destroy the stages they play on!

It’s always fun to hear a new band perform at the Dark Room, because I don’t know what I’m going to hear. I never know if I’ll hear all jazz standards, original songs, or a combination of both. It’s impressive when a set of mostly originals keeps an audience’s undivided attention. Such was the case when Brady Lewis’s band played at the Dark Room early this year.

Lewis’s compositions showcase both an excitement and a sophistication. Almost none of the songs feature the straight-ahead, swing-style rhythm that we’re used to hearing in jazz, yet all of the songs have an indescribably familiar quality. Maybe it’s simply that the playing is so strong; there’s no weak link in this lineup.

This performance is pretty much gold throughout, but here’s a couple of my favorite moments:

Watch the whole performance here:

Anita Jackson – 3/8/19

Performance Date: 3/8/19

Artist: Anita Jackson

Song(s): “Brick House”, “Proud Mary”, “At Last”

Full lineup:

  • Joshua Krump – drums
  • Teddy Brookins – bass
  • Darius Savage – piano
  • Anita Jackson – vocals

Whenever Anita Jackson takes the stage, there are bound to be some surprises…

Her Dark Room performances tend to bring in some of St. Louis’s most storied soul singers, as well as some of the city’s most highly-respected jazz musicians. It can turn into a literal game of musical chairs!

It’s not only an interactive experience between the musicians though. The crowd gets to make their mark on a performance as well, by making song requests and dancing, sometimes with Ms. Jackson herself! Her band is adept at fielding requests, though they joke from the stage that they’ll “butcher them all.”

Though the band plays wonderful renditions of R&B classics like Deniece Williams’s “Free” and Marvin Gaye’s “What’s Goin’ On” in the first set, it was the second set on this particular evening that had the crowd going. The ultra-high-energy mood that you’ll see here really sums up what an Anita Jackson show is all about: having a good time. Sometimes we can be too serious with our music preferences or hold unnecessary ideals about what is art. I say, look no further than the Dark Room stage while Anita Jackson stands on it. None of those high-minded conversations matter, when all we really want to do in this life is have a good time…

The second set contains an all-out extravaganza of funk. First, Jackson invites Silky Sol to the stage to sing A Taste of Honey’s “Boogie Oogie Oogie”, complete with an amazing bass solo by Teddy Brookins. He catches so much fire that Jackson ends up fanning him off!

Then, in honor of International Women’s Day, Jackson starts off the Commodores’ classic “Brick House” by singing the bass line. She then proceeds to sing the song from a different perspective: the woman’s perspective. It’s really a must-watch moment, with Brookins continuing to reach deep down into the funk, with percussive slap bass perfection.

Next, she invites Chuck Flowers up to sing a request, Bobby’s Womack’s “You’re Welcome, Stop On By”.

The crowd is riled up by this point, but soon they really get rollin’ during the American classic, “Proud Mary”. When the band transitions to the famous fast section of the song, the crowd loses their collective minds!

Watch the full performance here:


Kim Fuller & Tom Byrne – 9/2/18

Performance Date: 9/2/18

Artist: Kim Fuller & Tom Byrne

Song: “Dock of the Bay”


One thing I love about Dark Room performances is hearing all the different influences that go into each artist’s personality. Jazz overlaps with other musical styles on a regular basis, and the individual voice of each artist determines what kinds of other influences you might hear in a performance.

Kim Fuller has been a wonderful artist for the Dark Room Stage, especially for our brunch. She has a very nice, bright voice and such a radiant personality! Once during a performance, she wound up doing an impromptu tap dance!

After an Aretha Franklin tribute of “Chain of Fools” and “Respect”, she and Byrne did a version of another great soul song, “Dock of the Bay,” which famously features a whistle during the outro.

Fuller asked if there was a whistler in the crowd because she never learned to whistle. No one volunteered, but when it got to that section of the song, Fuller asked the crowd again. Right on cue, a young woman started to whistle, and she sounded great. She whistled that whole section before the crowd erupted in applause and laughter. It was a fun moment, with smiles on faces all around.

These are the kind of special moments that happen at the Dark Room that truly make it a special place.

The intimate atmosphere of the room really lends itself to organic performer-listener engagement.

Watch the full performance here:


The Unity Quartet – 11/29/18

Performance Date: 11/29/18

Artist: The Unity Quartet

Song(s): “Sandu”,  “Bernie’s Tune” 

Full lineup:

  • Ben Reece – Tenor Saxophone
  • Austin Cebulske – Tenor Saxophone
  • Ryan Marquez – Organ
  • Demarius Hicks – Drums

One of the most consistently strong groups that has played The Dark Room is the Unity Quartet. The unique instrumentation is enough to perk up the ear, and the strength of the musicianship entices listeners back again and again.

Led by saxophonist Ben Reece, the quartet featured Austin Cebulske on tenor saxophone, Ryan Marquez on organ, and Demarius Hicks on drums, on this date. Each one of these guys can play up a storm, so having all their voices combined on the same bandstand made for some dynamic musical conversation!

One highlight was early in the set, during “Sandu”. Cebulske takes the first solo, and with Marquez providing a strong harmonic foundation, he eventually blasts off into a higher register, giving the whole band a sound reminiscent of the Saturday Night Live house band during the show’s closing credits. It’s an all out organ-drenched swingin’ soul jam!

The band is great at taking an old standard and updating it with modern, impenetrable rhythms and stylized phrasing. A good example from this set is “Bernie’s Tune.” The groove has a “sneaky” quality to it that is irresistible.

Hicks keeps it extra funky during his drum solo, and a nice exchange develops between Reece and the funky drummer, keeping things interesting, before the main theme of the song reemerges.

Watch the full performance here: