Performance Date: 8/17/18
Artist: Owen Ragland Quartet
- Khamali Cuffie-Moore – Trumpet
- Tilton Yokley – Bass
- Owen Ragland – Piano & Keyboards
- Keith Bowman – Drums
A night with Owen Ragland and crew is guaranteed to be chock full of chilled-out grooves that have more of a modern tilt, with neo-soul, hip-hop, and even electronic influences. Eighteen-year-old Ragland brings this multi-stylistic approach, bolstered by years of piano training, to every Dark Room performance, and it’s a wonder to be able to experience the growth of this young musical mind.
One of the standouts from this particular evening was the now-classic, “Afro-Blue” by Robert Glasper (ft. Erykah Badu). During trumpeter Khamali Cuffie-Moore’s solo, the beat morphs into an impeccable, glitchy modern groove held down by Tilton Yokley (bass) and Keith Bowman (drums).
As we saw in an earlier post, musicians who play with each other consistently start to anticipate their bandmates’ every move. You can see this band developing these complex, non-verbal interactions, which you might call interplay. Wonderful, spontaneous moments able to occur more freely when a band becomes more familiar with each other’s playing style.
A good example of this can be heard here. The open-ended jam begins out of abstraction, like something Philip Glass might come up with. Then, sensing a moment to bring up the energy of the band, Bowman takes his solo. He brings the energy up, takes it down, and then brings it all the way back up again, before silencing himself resolutely to let Ragland’s beautiful piano shine and take the song out…
A couple other highlights:
- Not only does the band do great “Nu jazz”, they’re also adept at the classic jazz sound, exemplified with the group’s rendition of “Someday My Prince Will Come”. Note sprinkles of the blues throughout Cuffie-Moore’s smooth and thoughtful solo.
- “Let You Go” by Moonchild: Another perfect example of the undeniable groove this band is capable of. The vibe of the group can be credited heavily to both Yokley, whose hip-hop influenced bass sound provides rhythmic variety and harmonic counterpoint, and Bowman, whose heartfelt beats are the foundation for it all.